gospel motet造句

• The manner in which Gospel motets were used within the Protestant German liturgy of the 17th century is unclear.
• Gospel motets were the principal musical piece in the liturgy of the Mass, serving to enhance the reading of the Gospel lesson of the day immediately before the performance.
• Composers of Gospel motet cycles included Leonhard P鋗inger, Johann Wanning, Andreas Raselius, Christoph Demantius, Thomas Elsbeth, Melchior Vulpius and Melchior Franck, whose work was gathered into collections by printers.
• :: I entirely agree with Smernus about Gospel motet ( " Evangelienmotette " should be moved to the English term ) but don't see the point of seeking a third party confirmation for something as uncontroversial as an obvious canon . talk ) 21 : 53, 16 February 2016 ( UTC)
• These " Evangelienmotetten " or Gospel motets were settings to music of verses from the Gospel, and the complete cycle was intended to be performed over the course of a year of Sundays . It was the first motet cycle covering the whole year to be written in the German language, following the Latin cycles published a few years earlier by Johann Wanning.